
Tokyo/Glow is an absolutely gorgeous short film, written and directed by Jonathan Bensimon, about the little glowing guy from a cross-walk sign who jumps down from the sign, at night, and wanders around Tokyo gawking at all the lights. I don’t think there are any CG effects. The film’s amazing look was achieved by combining a real actor in a custom glow-suit with a bunch of photographic hi-jinks: stop-motion, time-lapse, long exposure…did I miss anything?
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We have blogged about American assemblage artist Ron Pippin’s work before, with a focus on his wunderkammer pieces. But he’s been busy since then. Fair warning: Much of Pippin’s work uses real animal parts, and although I personally find it very beautiful, some viewers may be disturbed and/or offended. [via The Automata / Automaton Blog]
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Unknown, via Reddit.
Banksy, via Flickr user goldenticket.
It’s a simple idea: Find some bad art, whether original or a print, for a song at a thrift store, then modify it to make, if not “better art,” then at least something that’s more entertaining to look at. (Is it the same thing? Yeah, that sounds like a productive argument.)
Anyway. To quote a great sage, “there’s a lot of guys doing it, but only one guy can be the best.” That title probably goes to pseudonymous British graffiti artist Banksy. Most of the work presented below is his, but there are one or two gems from less-notables. I especially like the bland mountain landscape improved by the addition of an apocalyptic-scale katamari…
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OK, so, it’s not “symmetrical” book stacking. And I know for a fact that a human being did it. His name, it turns out, is Paul Octavious, and he’s trying to raise book stacking to the status of fine art. [via Dude Craft]
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The half life lamp by Joris Laarman is apparently powered by living, bioluminescent hamster cells. Don’t worry, no furry rodents were harmed in the making, the lamp is said to be made from an old line of Chinese hamster cells. There isn’t much information available about it yet, however it is part of a show that is opening today at the Friedman Benda Gallery in New York. [via inhabitat]
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Bread chairs by Enoc Armengol: not for sitting, only for nomming (and admiring)! [via Core77]
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Buttons is part of a project by artist Sascha Pohflepp called Blinks and Buttons. It is, essentially, a “blind camera.” It has no optical parts, only a big inviting red button and an LCD screen. When you press the button, it records the time, then wirelessly searches the internet for a photo taken at the same moment. [Thanks, Billy Baque!]
More: Exporting 3D objects into the real world
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I’ve always been a big fan of artist Jim Woodring, and I’ve been keeping Moleskine Cahier sketchbooks for the past four years. So, I was completely jazzed to see these pages from one of Jim’s Cahiers. [via Boing Boing]
The Salt-Blarsted Moleskine
In the Maker Shed:


Pick up The Maker’s Notebook ($19.99) for all your big ideas, diagrams, patterns, etc. Exclusive to the Maker Shed: Sticker sheets and a band closure to customize your book.
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The candelier was made using about 5000 gummy bears. No bears were harmed in the making, however, as the ones featured in the chandelier are actually made of acrylic. This should do wonders for the longevity of the piece, but unfortunately won’t help you with your late-night hunger. [via curbly]
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Patrick Hughes is a British artist who coined the term ‘reverspective’ to describe his technique of painting a dimensional surface to create an exaggerated 3D effect in his work. The gimmick (which is sort of like the Hollow Face illusion in reverse) combines foreshortening and the fact that his paintings really do extend into the third dimension–just not as much as it seems. If you can’t see one in person, video really helps to understand the effect. Besides this one, shot in the basement of the British Library by Flickr user mariachi2006, there’s a professionally-produced Flash video at Hughes’ website. [via Neatorama]
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